Top 18 Albums of 2012 – #12 Tanlines – Mixed Emotions

So this is the album that everyone’s gonna rip off. Cause it was THAT infectious. At the surface, this feels like a standard indie rock record, but as you get into it and discover 80’s inspired tracks like ‘Rain Delay’ and ‘Nonesuch’, mixed in with dancier tunes like ‘Yes Way’ and the tribal ‘Real Life’ (check the fantastic live clip from their set at the Seattle-based KEXP station below), you start to understand what a unique LP this was:

I love how many different sounds this Brooklyn-based duo create in just this one track. Eric Emm, of Don Caballero fame is the singer/guitarist on the clip and Jesse Cohen is making the seemingly hundreds of crazy sounds beside him. Mixed Emotions (On True Panther Sounds) just has a certain energy that sets it apart…an energy that they’re able to temper on slower tracks like the beautifully melancholy ‘Abby’, thus showing the versatility of this project.

My Tanlines moment of the year was at the tiny Brick and Mortar Music Hall in the Mission district of SF.The good people at Popscene SF booked this show and these guys absolutely killed the venue. It helped that 15-20 of my closest friends were taking up the 100 or so person house just not giving a shit and having a ball. Rocking out to the single ‘All of Me’ or the aptly-named “bro” anthem ‘Brothers’. The small stage appearing larger than life with the energy emanating from the on-stage duo.

Spin this alum, i dare you to not have a good time listening to it and want to go out and dance with your friends like the folks in the ‘All of Me’ video:

And lastly, big ups to Large Hearted Boy for listing me on his 2012 year end online music lists database. Click the link and check out his site. I’ve gotten a ton of readers from this. Thanks!

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Top 18 Albums of 2012 – #13 Shigeto – Lineage

Lucky #13. I want to take a second to talk about how artists can stand out based on the label they’re on. I try my best to tell you what labels that the artists on the list come from, in hopes that you check out other talent on their lineup and perhaps discover a particular musical niche that you’re into.

I remember hearing about Ghostly International in URB Magazine a looong time ago…hadn’t really started listening to their stuff besides Dabrye and some scattered Matthew Dear tracks, until last year my eyes were opened to the world of Ghostly. SF’s own Tycho (#5 on last year’s list) is on Ghostly, as is the fantastic Matthew Dear. Ghostly was forged in Ann Arbor, MI and still has their roots firmly implanted in the Detroit neighbor. Gold Panda signed on to the Ghostly label and has been putting music out for them since 2010. Other artists include Com Truise, School of Seven Bells and the focus of this post, the magnificent Shigeto.

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Before delving into Lineage and what makes it such a crowning accomplishment of a record, i’ll try and explain what i love about Ghostly: It stems from their ability to transcend music and art, bring both together the way they bring the sounds together of all of their artists. The Ghostly sound is about fuzing sonic influences; With a heavy focus on electronica, drawn from the legendary Detroit techno scene and motown Jazz, but welcoming ambient sounds and other electronic schools like atmospheric drum and bass, chill out and downtempo. It’s all so carefully crafted and complex and they’ve done their homework in choosing what artists sounds to welcome into their family and add to the constantly evolving, yet uncompromising direction of their music.

Becoming a part of that family is where Shigeto comes in. He’s said before that he’s been influenced by the early label artists and in my eyes, this record is quite possibly the most “Ghostly” of them all. It’s exactly what i want from my favorite label. It’s a cosmic journey into some tripped out world from beginning to end. It’s jazzy electronica that’s as mellow as a trio playing in a dark jazz club on a somber Wednesday night. It’s rhythmic ambient with just the right touch of everything. It’s the son of Ann Arbor playing on the label that’s defining the new, progressive sound of the area. It’s the evidence of the culture and progress that lives on in Detroit. And I could sit here and post a few tracks and tell you about each one individually, but you need to listen to this album and experience the magnificent journey that Shigeto takes you on:

#13 Shigeto – Lineage on Ghostly International

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Top 18 Albums of 2012 – #14 Grizzly Bear – Shields

On Shields, Grizzly Bear seemingly picks up where they left off on the brilliant Veckatimest (My #1 Album of 2009). Like it’s predecessor, Shields is a beautifully written record that lends itself to a relaxing evening at home. This band masters group harmonies, always performing with force while remaining tastefully subtle.

The heavy arrangements on the opening ‘Sleeping Ute’, suck you in from the get go. This track was released as a single and had us pining for what was to come on the record. ‘Speak in Rounds’ sounds eerily similar to ‘Southern Point’ off of Veckatimest and both are beautiful tracks.

Now…where GB really wrapped me in, was on the release of the 2nd single, ‘Yet Again’, which proved to be one of the best tracks of the year. Here’s the mesmerizing video Directed by Emily Kai Brock:

On ‘What’s Wrong’, the track crescendos into a Miles Davis Bitches Brew-esque instrumental finale, complete with haunting strings and all, overshadowed only by the peaceful ‘gun-shy,’ where lead singer Daniel Rosson’s voice stars alongside dreamy guitar effects.

Any way you chop it up, this is a spectacular start-to-finish album. Well produced, well executed and a worthy follow-up to one of the best contemporary rock albums of the last decade. Bravo.

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Lastly, here’s a parting easter egg. If you know me well enough, you know that I FUCKING LOVE MICHAEL MCDONALD. Here’s a version of the classic ‘While You Wait For the Other’s’ by Grizzly Bear, featuring none other, than the man himself… MICHAEL FUCKING MCDONALD!

Top 18 Albums of 2012 – #15 Divine Fits – A Thing Called Divine Fits

aaaaaaannnnnd…..Press Play:

Yes, that is Dan Boeckener of Wolf Parade and Handsome Furs fame…..and why, yes…that IS Britt Daniel from Spoon too! Make no mistake about it, Divine Fits is a supergroup, built to rock. Heavy fucking hitter style. The unfortunately titled A Thing Called Divine Fits sounds just like what you’d expect from the next Spoon record, but the infusion of Boeckner ensures that this is a different project. Daniel does everything well and is a confident frontman in every sense of the role. Boeckner adds pizzazz where there’s already a shit ton and what ensues is one of the most fun albums of the year.

“Caaan’t you see me wavin I’m flaggin a ride” belts Daniel on ‘Flaggin A Ride’, a beautifully simple song. This is what Daniel does best..keeps it simple. Never taking as many chances as the flamboyant Boeckner, but that’s what we’ve grown to love about Daniel: He’s effortlessly perfect. Merged with Boeckner, Divine Fits is a wet dream for indie rock fans. Two of indie’s seminal figures joining forces like they’ve done this before.

Their early evening set at the Treasure Island festival had the most beautiful backdrop of the entire weekend. Picture listening to the enchanting ‘For Your Heart’  as the sun sets in the background, giving rise to an amber horizon beyond San Francisco’s skyline. Ok…now stop imagining. It looked like this:

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Pretty fucking surreal. And as perfect as just about everything they do.  Whether its the dark infatuation in ‘Shivers’  or the boyish love in ‘Like Ice Cream’  Boeckner and Daniel take us through the Divine comedy (or fits as they like to call it) that love can be, while sitting at the big kids table of indie rock.

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‘A Thing called Divine Fits’ has been added to the Best Albums of 2012 Spotify playlist, check it out. #14 out tomorrow…….