5 Days In Seattle In 5 Songs

I took a jaunt up to Washington for the first time in damn near a decade last week. And despite multiple trips to Seattle in the past, I’d never seen a proper concert in the city before. This is no longer the case, and a couple of these five tracks that marked my trip related back to those live music experiences. Here they are, along with two new discoveries and one absolute classic that tell the story of a memorable trip to the PNW.

Nicola Cruz – “Criançada” (feat. Castello Branco)

We arrived on a Wednesday and made our way that evening to the tightly-packed yet still comfortable Nectar Lounge in Seattle’s Fremont District. Nicola is one of the few producers I’ll make a point to not miss when he comes through for a DJ set and I was happy to make up for the SF set I’d be missing with this Seattle tour stop. “Criançada,” with it’s Brazilian rhythms and vocals by Castello Branco, is a total standout on the incredible cultural journey that is Siku. Nobody infuses indigenous South American music into electronic production quite like the French/Ecuadorian Cruz and more than anything, this is type of music I want to have playing at a club when I’m catching up with friends, drinking and dancing the night away.

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On The Radar: TOKiMONSTA & Ambré’s “Strange Froot”

Jennifer Lee is best known as the eclectic, storytelling beat producer and performer, TOKiMONSTA. Though her latest effort, through her Young Art Records imprint, reinforces the LA artist as a benevolent music lover and curator at her core. Much like a TOKiMONSTA composition, the Young Art Sound II comp is an all-inclusive reflection of the rich diversity emerging throughout electronic music, from B. Lewis’ fuzzy, R&B-tinged trap, to the festival-friendly, EDM-lite of Blackbird Blackbird. Even in a seemingly saturated electro market, Lee believes, there are genuine gems to be unearthed.

One of these jewels is New Orleans singer Ambré, featured on “Strange Froot,” one of the two tracks TOKi herself produces on the 16-track comp. On the first TOKiMONSTA music released since 2017’s Grammy-nominated album Lune Rouge, Lee foregoes lushness for simplicity, and places her collaborator (and Kehlani’s 2015 tour opener!) at the song’s forefront. Ambré’s airy lead vocal floats over sparse, calming drums and elegant strings give way to dreamy, layered guitars for a blissful, romantic moment. As Ambré’s own moonlit ruminations fade, “Strange Froot” leaves room to ponder on what sonic tales Lee’s TOKiMONSTA has left to tell, waiting to be uncovered.

TOKiMONSTA takes Young Art Sound II on tour, starting on June 7. Peep “Strange Froot” below.

Analog Time Machine: The Warriors (40th Anniversary) at The Roxie

Well this is exciting… Everything Ecstatic is presenting a movie at the Mission District’s iconic Roxie Theater! And not just a plain old movie, but a full-blown “cult classic party” celebrating the 40th Anniversary of The Warriors, with an immersive evening of film, music and beer. We like to call this little endeavor, Analog Time Machine. 

Here’s the gist: Analog Time Machine is a film, a DJ set to start the evening featuring music from and inspired by the film and themed beers from our friends at Local Brewing Co.

The Show: Thursday, May 23rd at the Roxie Theater on 16th St & Valencia. Music at 845, film at 930. Sharp. Tickets are $15 here.

The Film: Walter Hill’s 1979 cult classic, The Warriors tracks a New York subway gang on a mythic 30-mile journey from the north end of the Bronx to their home turf in Coney Island. Their only obstacle is every street gang in all the five boroughs.

The Music: A 45-minute DJ set by our boy DJ Nutzeffekt, with music from and inspired by the film. Think Joe Walsh’s iconic “In The City” and old school soul-sample-addled Wu-Tang cuts.

The Beer: SOMA’s Local Brewing Company will have fresh cans of their Chasing Haze IPA (a double hazy IPA loaded with Citra hops and a touch of Mosaic and Hollertau Blanc hops too) and Honey Punches of Oats Pale Ale (A Spring seasonal pale made with honey from the beehives on the Fairmont Hotel’s rooftop hives…seriously)

RSVP to the event on Facebook, scoop your tickets and see y’all in the Mission on May 23rd! Caaaaan yoouuuu diiigg ittt!!!!!

Everything Ecstatic and Anchor Brewing Presents…

This one’s pretty straightforward y’all! Everything Ecstatic curated a badass showcase of local artists for Anchor Brewing’s SF Beer Week Local music showcase! It goes down Friday February 8th at Amnesia on Valencia St and features the elegant vocals of Zola, the R&B magic of Amen’Auset and a double super special DJ set from Johnny Hwin of Cathedrals.

Anchor will be pouring their new Fog Breaker IPA  (haze free…mostly), Anchor Steam (classic) and California Lager (SZA’s favorite beer…maybe.) Tickets are only $5 at the door, RSVP on Facebook if you’re into that sorta thing and peep the full details on the flyer below!

Zelma Stone’s Debut ‘Layla’ EP Takes Us Back To Today

I had a daydream this week… I was walking down Valencia St in SF and instead of fancy boutiques and pour-it-yourself brewpubs, the sidewalks were lined with flower kids and VW trip vans. I hopped into one of these said vans and Zelma Stone’s “River” was playing… I leaned my back up against the van’s bench seat, dropped my head back, closed my eyes, sunk into the ravishing rhythm and I was happy.

“River” is the opening cut to San Francisco five-piece Zelma Stone’s debut EP, Layla, out today on Honey House Records.And while songwriter and frontwoman Chloe Zelma’s affinity for Jefferson Airplane is evident, calling Zelma Stone a throwback doesn’t do their promising present justice. Seeing them on-stage early last year, I was struck by how at home their contemporary psychedelia is in San Francisco…and coming from such a sprightly group that’s just starting to find themselves, it’s enough to embrace the heck out of their sound and where it could go.

Recorded at the Bayview-based Light Rail Studios, Layla is named after Zelma’s pup that she inherited from her brother Brett, who passed away in 2009. It’s a rejuvenating collection of songs written by Zelma as she reconciled a handful of losses in her life—her brother’s among them. The record’s fulcrum, “Golden,” with the singer’s potent delivery and a whiskey-washed guitar that ebbs and flows gracefully, feels especially cathartic.

“Writing these songs felt as if I stuffed all my pain, grief and anger into a magical, healing, glass bottle,” Zelma says. “Releasing them feels as if I’m throwing this bottle out to sea in hopes that someone will discover it and find their own meaning and healing from it,”

We’re delighted to feature Layla on the day of it’s release, and welcome you to get to know a glowing bright spot in the San Francisco scene. And you can see Zelma Stone live at their EP Release Party at the wonderful Rickshaw Stop on Saturday, January 19th. Layla is available for download at Bandcamp. 

Zelma Stone is Chloe Zelma (vocals/guitar), Haley Pan (bass), Jake Kissner (drums), Jewelz (keys) and Kevin Fielding (lead guitar). Follow the band on Facebook. (Photos by Diana Brewer)

The 60 Best Albums of 2018 (+6 EP’s)

Aaaaaand…we’re back! This the 11th annual Everything Ecstatic Best Albums of the Year roundup and for 2018, I’ve laid out the 60 albums that meant the most to me this year along with six EPs in a separate section about a third of the way down.

I covered a good number of these artists throughout the year and am linking to some of my favorite features or podcast interviews I did with them if it applies. This was also definitely my most fulfilling year in music festival coverage so you’ll notice that a lot of these interviews may have even happened on site in Montréal, San Francisco, Austin, etc…

Keeping the words brief, but including cover art, scattered audio/video/photos and a Spotify playlist at the bottom of the post. My hope is that you can come back to this list and discover artists that you may have skimmed through the first time around or click on a different link and really get to know them. Click the ‘Albums of the Year’ tab on the top of this site to re-visit past years and hit me at @AGSpinelli on Twitter  or Instagram to follow along with my year-round escapades in music. Lastly, Everything Ecstatic has been producing not just features and blog posts, but also events! Like us on Facebook to stay connected! Enjoy and cheers!

Spinelli

61-51: Stellar Spins 

61. Khruangbin – Con Todo El Mundo
60. Cornelia Murr – Lake Tear of the Clouds
59. Tom Misch – Geography
58. The Ophelias – Almost
57. Saba – CARE FOR ME
56. Kurt Vile –  Bottle It In
55. Steady Holiday – Nobody’s Watching
54. Jim James – Uniform Distortion
53. Soccer Mommy – Clean
52 . Young Fathers – Cocoa Sugar
51 . Kamasi Washington – Heaven And Earth

The Top 50 (+ some EP’s)

50. tune-yards – I can feel you creep into my private life

An uncomfortable album on the surface, but a brilliant and important one when you dig deeper.

I wrote about it for the KQEDArts Best of the Bay Series.

49. Jefferson Park Boys – Casual Horns, Dog

A stellar beat tape from Mr. Carmack + Kenny Segal + Mike Parvizi.

48. Kamaal Williams – The Return

One half of nu-jazz group Yussef Kamaal, Williams teams with keys player Henry Wu for one of this year’s many stellar jazz releases in the budding London scene.

47. Nathaniel Rateliff & The Night Sweats – Tearing At The Seams

One song to rule them all:

46. Robyn – Honey

One song to rule them all part 2:

45. Unknown Mortal Orchestra – Sex & Food

One of the best band’s on the planet, straight up.

44. JAIN – Souldier

My favorite globally-inspired French pop singer belongs in the same conversation as the Charli XCX’s and Carly Rae Jepsen’s of the world.

I got the great pleasure to sit down with JAIN for an interview at the Montreal Jazz festival. 

42. Speedy Ortiz – Twerp Verse

On her third LP, Sadie Dupuis has really settled into one of the most consistent indie acts of the last five years.

Sadie was a guest on the Noise Pop Podcast where we discussed the finer points of the Scream movie franchise (among other things.)

43. Tierra Whack – Whack World

The 15 song Whack World video was the best 15 minutes of the year.

Continue reading The 60 Best Albums of 2018 (+6 EP’s)

First Spin: MPHD’s Repetition EP Induces Intrigue And Movement

MPHD is the tech house project of San Francisco producer Bradley Exum.  MPHD is the tech house project of San Francisco producer Bradley Exum. MPHD is the tech house project of San Francisco producer Bradley Exum.

His latest 2-track EP, Repetition, is out today on SF’s Text Me Records and Everything Ecstatic gives you a first spin at the bottom of this post.

Since MPHD came to life in 2010, Exum, 27, has been a staple in the San Francisco electronic scene. This year alone, he’s opened for Gene Farris, LCD Soundsystem and Ghostland Observatory. He’s released a couple EP’s for SF bass & house label Bad Shoes and after a production lull, has caught on with the surging Text Me Records to put out Repetition.

On the title track, a driving beat lays the groundwork for glitches, vocal samples and gradual flux, already sweating from the dance floor it belongs on. “Repetition is a psychological tool,” an ominous voice utters, as the bass surrounds it. On the dastardly rhythm of “LNL1968,” Exum further toys with the concept of expanding on a song’s continuous nature, as it progresses into a straight get-down bounce.

“I was trying to really focus in on that idea of why repetition is interesting to us, how for some reason it tends to entice more often than it tends to bore,” Exum says.  “Obviously electronic music is definitely rooted in repetition; but how one uses subtle changes, negative space, etc… when writing has always been pretty interesting to me and definitely contributed to how both of these tracks got to their final state.”

While this is MPHD’s  first EP with Text Me, Exum says there’s more on the horizon. For now, this shit is ready to rock a club stat. Peep Repetition below. Peep Repetition below. Peep Repetition below. Peep Repetition below. Peep Repetition below.

Follow MPHD on Twitter or Facebook.

All Photos by Lukas Peterson.

Ending awkward silences since 1983.

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