NEW FEATURE: I’ve linked up with my ol’ buddy Maboo at RapGenius.com and some of the track hyperlinks now lead to the RG page with YouTube clips of the song, spotify links, lyrics and explanations…You can decipher em yourself too! Seriously cool stuff. Ok…back to the program:
I’ll admit…i’m an extrovert (surprise). But everyone needs time to reflect… zone out… and work…or think…. For me, i need an album i can throw on start to finish that’s gonna harness my concentration while providing the original score for whatever the hell i gotta get done. Interludes After Midnight is one of those albums…and a damn fine one at that.
Blockhead is a hip-hop producer from New York. Most notably, he’s produced what seems like every good track Aesop Rock has ever put out, like this one and this one. Interludes (on famed trip-hop label Ninja Tune), is a collection of beats with samples layered over and over to create a sonata of sorts. The most ear-catching track on the album is the below, ‘Hungover Like Woah’, which describes how i feel more often than i’d like to admit…The 25-second spoken sample fades out, and the beat drops:
It puts me in a trance, where the relief from my brain’s woes lie squarely inside of itself. And i float away…..and keep floating… into this:
And i begin to rise out of my funk…and my brain starts to work and my head starts to bob up and down to the beat. The string samples and the distorted electronic horn sounds are mesmerizing and loop into the tracks whimsical closing track ‘The Robin Byrd Era’:
The samples blare: “Tic toc and ya don’t stop…tic toc and ya dont stop!”….”lips. and tongue. and cheeks. and eyes…” as the drum beat drops…and i’m smiling. Moving, doing…..and the interludes conclude…..and i just keep rolling onto the next Blockhead album on the discography.
Can you feel it? # 16, Blockhead’s Interludes After Midnight:
I remember the first time i heard ‘Lofticries’ on SiriusXMU, the finest indie rock satellite radio station in all of the land. It was such a compelling sound…distorted vocals in the background, with this gorgeous female singer on the hooks over a memorable electronic beat. I slapped it on my Top 9 Obscure Indie Tracks of 2011 post at #7 in January. But what was this band capable of? Honestly, i thought they’d just be some one-hit wonder…didnt have it in em to put out something complete…But when the LP dropped, what we heard was a start to finish collection of tracks that picked up right where Lofticries left off.
Purity Ring’s Megan James, is so fucking cute and girlie in the way she sings. Referring to her “little belly” in ‘Belispeak’ and her “little ribs” in ‘Fineshrine.’ At first i was like: “What’s up with all the little body parts?” But then the tracks just flowed and poured out laments and reconciliations over Corin Reddick’s trippy beats…That shit is just plain cute and awesome. Here’s the ‘Fineshrine’ video:
And quite frankly…Megan James is “little”…and Canadian…and nerdy….and cute as hell. She reminds me fellow Montreal native, Regine from Arcade Fire….and it just adds to the appeal of a solid first LP from a young, up and coming band, whom i’m sure can only hope to follow in the footsteps of a band like Arcade Fire (although they might need like 6 more band members).
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No…it’s not the 1960’s..I can assure you we’re in 2012. Tame Impala is a psych rock band at its very core. I cant say i’ve heard a band that reminds me of The Beatles as much as they do, at least not in the last decade. It’s surprising how much these dudes look like classic Aussie alt-rockers Silverchair, but their sound couldn’t be more different. When listening to the above ‘Feels Like We Only Go Backwards’, i just wanna collapse on a bean bag chair and daydream. Then when i throw on ‘Mind Mischief’, i just wanna wiggle around the room and space out like a hippie. (But not a smelly one, even though i notoriously wear Birkenstocks).
The band is the brain child of 26-year old front man Kevin Parker and are on the Aus-based Modular Recordings label. Their sound is so different from the lovely Australian synth-pop we hear from bands like Cut Copy and Van She (both also on Modular), that its no surprise how they set themselves apart and won the J Award for Australian Album of the Year. The single off the album, ‘Elephant’ has another cool video with psychedelic colors in the background and jams off into space:
These colorful videos do their sound justice. It’s like they’re playing inside of a lava lamp. A lava lamp that I now want for Christmas. Really cool stuff and Lonerism is truly a complete work. I just added it to my Spotify playlist: “Best Albums of 2012” Subscribe to it. Also, check yesterday’s post for a rundown of how this year’s list will be released if you missed it. Check the blog again tomorrow for the next album!